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Cake day: June 26th, 2023

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  • Not the person you’re asking, but I’d say yes. Don’t bother charging for bits, except for something like the bandcamp model, i.e. “yes, i could pirate this but i want to support the creator and it’s really easy to do so”.

    We have better funding models now that we’ve solved the problem of copying at zero cost. Patreon is a good and popular one, as well as kickstarters. You can’t pirate something that doesn’t get made, which is the perfect solution. Other art like music also makes money off of things like live performances that can’t be digitized.

    Note that the one aspect of copyright that I like is attribution requirements. I think it’s perfectly fine to hand out information to anyone, as long as you say “here’s this cool thing, this is who created it, and this is how you can give them money”.


  • I’d be fine with copyright going away altogether. People sometimes object to this on the grounds of “But Disney will just steal your ideas and make money off of them”. If their works don’t have copyright though, you can do the same right back to them.

    This is also one reason that I appreciate generative AI. Short-term, yes it will help Disney and the like. Slightly longer-term, why would anyone give Disney money if you can generate your own Marvel movie yourself?

    The genie also isn’t going back in the bottle. Copyright is a dead man walking. If you dislike what large companies like Disney are doing/going to do with generative AI, push for anyone training a model to be forced to let anyone whose work went into that model for free.


  • The original duration in the U.S. was 14 years, plus the option of a renewal for another 14. IMO we should move back to something close to that. One idea I’ve seen is that there’s an initial cost of however much for 7 years, and then the price doubles for every 7 year extension beyond that. Not even Disney can beat exponential growth, and it would force them to pick what they actually care about.

    I’d also prefer explicit registration. We’re losing too many works because nobody’s sure who owns the copyright, and nobody knows if it’s safe to archive them.

    I’d say that the original Star Wars trilogy should be public domain by now, for a concrete example. Disney can make new stories and characters in the universe and make money off of them, but everyone else should be able to as well.

    Also as an aside, here’s Richard Stallman on why the term “intellectual property” shouldn’t be used. It’s an umbrella term that doesn’t really make sense, and more explicit terms like copyright or patents or trademark should be used.



  • For a direct replacement, you might want to consider enums, for something like

    enum Strategy {
        Foo,
        Bar,
    }
    

    That’s going to be a lot more ergonomic than shuffling trait objects around, you can do stuff like:

    fn execute(strategy: Strategy) {
        match strategy {
            Strategy::Foo => { ... }
            Strategy::Bar => { ... }
    }
    

    If you have known set of strategy that isn’t extensible, enums are good. If you want the ability for third party code to add new strategies, the boxed trait object approach works. Consider also the simplest approach of just having functions like this:

    fn execute_foo() { ... }
    fn execute_bar() { ... }
    

    Sometimes, Rust encourages not trying to be too clever, like having get vs get_mut and not trying to abstract over the mutability.